PrepTest 155, Section 3, Question 2

DetailDifficulty1 of 5
Passage 1Authenticity and mixed programs for early nonfiction films
The questionFull text in your LawHub copy of PrepTest 155

The following passage is adapted from a 2001(437 more words not shown)

According to the passage, which(10 more words not shown)

Reading the passage

Recall the old viewing experience: several kinds of short films shared a program, and nonfiction usually played a supporting role. This question asks for something the text actually says. A detail about programming or a plausible guess about the film industry won't establish a claim about the films themselves.

Working the answers

  • A

    The author mentions films grouped by maker or studio, but doesn't describe studios specializing exclusively in nonfiction. The studio connection tells us how a retrospective might be organized, not everything those studios produced.

  • B

    We aren't told how often films were credited to individual directors. Nothing here establishes that crediting practice.

  • C

    The possible inheritance from vaudeville concerns the arrangement of a mixed program. It doesn't establish that the nonfiction films themselves were heavily influenced by vaudeville. Keep the exhibition practice separate from the works being exhibited.

  • D
    Correct

    The second paragraph says that, “With some exceptions,” nonfiction films were supporting films rather than main attractions. That directly supports “usually”; we don't need an inference about their popularity or quality.

  • E

    Being shown alongside comedies and dramas doesn't mean being equally popular. Imagine viewers eagerly awaiting the comedy but taking a bathroom break during a nonfiction segment—or enjoying the nonfiction most. Either response could occur within a mixed program. We aren't told which kinds audiences preferred.

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